Hartmann Schedel was a cartographer who fell in love with the printing press and was one of the first authors to integrate text and illustration. With his Nuremberg Chronicle (Liber Chronicarum), he introduces Michael Wolgemut’s 1493 Danse Macabre (Dance of Death). The woodcut is just a tad off-beat by even contemporary standards. But, as it would turn out, a healthy dose of irony and reflection was appreciated in the Renaissance and re-awoke nicely in the Romantic period. Listen to the Danse Macabre!
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